Artificial design in ice surface – classic design in figure skating apparel

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“China Art News” No. 260 Art News

The figure skating originated in the 18th century, and then quickly developed to some European and American countries, and debuted in 1924 to the Winter Olympics. It is a combination of sports and art, music, dance, ice skills, art performance. Winter motion projects that are integrated together. German writers, thinker peelavan to “sports poems” “artwork” on ice, it is like a bright star in the ice and snow, flashing the glory of pleasure. People usually have a spectacle competition to be “Kusu Teng”, which is “Costume” transliteration, which is to some extent, to Costen, in this simultaneous artistic and skillful sports project office. Affirmation of the important role of “playing”.

冰面上流动的艺术——花样滑冰服装中的经典设计

Early flower skating garment

In the early days of the birth of the spectacle, the male performance service is long-sleeved trousers, women’s long-sleeved dress, early flower slide women’s skirts are going to the ankle, these costumes are gorgeous but not practical, and they are not easy. In 1924, the French Summer Montessos skating women’s single slippery, the 11-year-old Norwegian player Sonia Haini wore a short skirt that did not come to the knee in the first time. In the following more than ten years, Sonia Haini won three winter Olympics, ten world championships and six European champions, became a big star in the figure skating. Female spectators are also constantly improving under the influence of Haini, shortening, close, no longer shy to showcase natural curves, and convenient to display various difficult movements. In order to prevent short skirts, in the 1936 Winter Olympics, women with short skirts were officially debuted, laid the basic style of today’s flower slippery. And with the emergence of indoor ice rinks, Costen’s lightness, gas permeability, and beautiful degree are gradually become a new demand for spectacle players.

冰面上流动的艺术——花样滑冰服装中的经典设计

Japanese designer Ito Congmei is a Succhen manuscript

The Costen’s design process often needs to be determined by the subject, research and collection of inspiration, design element extraction, determination and drawing the effect map, structural and technology implementation, and ultimately according to the design theme and direction of the selected design, color Design elements such as patterns and materials are refined to create a unique aesthetic contest costume. In addition, international slipping also stipulates that the flower dress decorations fall on the ice, and it is to be deducted 1 point, so in order to maximize the body and action amplitude of the spectacle player, each piece Cabu is tailored by the designer for the player, all of which use manual sewing methods. At the same time, in order to ensure that the players successfully completed various jumping actions on the field, Costen’s self-weight must be very light, the men’s Cantoman Wemens are generally within 800g, the female players’ Coss teng is generally within 350g. This thin fabric is very expensive, and the Costen’s weaving process is also complex. A Caban often needs to use thousands of drills, so its price is also very high, it is said to be a top player. Teng’s price is around hundreds of thousands.

Cartenna Witter in 1988 Canada Calgary Winter Olympics

Chen Lu performs “Liang Zhu” at the 1998 Wild Winter Olympics

冰面上流动的艺术——花样滑冰服装中的经典设计

In 1988, the Democratic Germany’s ice and snow Queen Cathenna Witter debuted in the Blue feather skirt, in the Kargari Winter Olympics, I found a primary river in the ice rink in the ice rink, and finally won the champion. At the Nago Winter Olympics in 1998, Chinese players showed a “Liang Zhu” stunned. This is the first time in the International Flower Slip, Chen Lu also helped China’s only Olympics so far. Woman single slide card. When the familiar music sounds, the weeping willow is soft but full of tenacious beautiful arms, with the Dunhuang murals as inspiration, the flow of the Chinese classical dance, Chen Du will show the Eastern charm to show up. Elegant deep purple skirt, Chinese contribution, butterfly embroidery, performance, cuffs and skirts, like a purple emperor butterfly. The famous wedding designer Vera Wang was a spectacle in the juvenile, and then the famous American spectacle athletes such as Nanxi Krigens, Guan Yingshan, etc., visible fashion and spectacles have never been inevitable. of.

Korean players Dressed in Cantan

The Korean woman’s single slipper Jin Yan, from the beginning of the incoming adult group to retire from the collar number, until she is still the only holder. As a 2010 Vancouver Winter Olympics, the gold medal winner, Jin Yaner’s 2014 Sochi Winter Olympics is to defend, Costen’s choice is also quite colorful, black and purple velvet material, only in the back, revealing big The skin, low-key, elegant, sexy, long-sleeved design makes Jin Yan’s famous arm lines more clear, from music to the birth to the shape, no one is not “refining” two words. From 2010, Vancouver, a blue skirt, smile low-mouth jazz girls, to the 2014 Subili, the Argentine Tango Girl, this set of curtains, makes people feel good, some is old, more relieved, Time is here, always say goodbye.

Feather string performance “Yin Yang” at the 2018 Pingchang Winter Olympics

Although Kasteng is still a common style in the female player, for most men’s players, their Cantoman is still a plate, far less than the female players rich, only the song is a person. As one of the greatest players in the history of the spectacles, the excellent artistic performance of the feather is inseparable from the Collota’s blessing. According to incomplete statistics, since the incident in the adolescent group in 2010, the String of the Songs wore more than 32 sets of Kusunteng. He completely broke the past spectacles men’s singles players who were bored with Cantonese style, a lot The elements commonly used by women’s singles players such as drills have become the leader of ice. The Kusam, who is brought by his mother, is basically designed by his mother. From 2014, his Canto is from the hands of Japanese famous designers. In 2018, the Pingchang Winter Olympics, the winning championship “Yin Yang”, when designing clothing in front of the game, the feather string requires the clothing with white as a frame, while adding the Wushen star symbolizing the yin yang. The overall shape imitates the peace of the peaceful era. The final effect can be said to be quite amazing: the golden waist is solemn, and the concept of “Yinyang Normal University” is completely consistent with the feathers of the feathers, and the fear of the embarrassment is clear, and the elegant is not lost.

2020 full day championship showed the “God of God” Caben Teng

冰面上流动的艺术——花样滑冰服装中的经典设计

In fact, the friends who know the string of the songs know that the Coatan style of “Yinyang Normal University is a less tried, his most out of the neutral style, such as 2020 full day tournament The “God of the God”, the “God of the God”, who is speaking, is a performance theme with spring, cherry blossoms, and the whole Coke Teng uses a white color, adding pink as a rendering, and uses a lot of color water drills, overall The shape is like a cherry bud that is bursting, and the beauty of the fascination, and the picture dance in the sky cherry blossom has also become a classic of a lot of flowers.

Wusheng Strong in Coasten at Beijing Winter Olympics 2022

At this Beijing Winter Olympics, the Costen Emotou is especially special, and the designer uses Choker outlined the pole’s neck line, showing a fragile beauty, and his face is especially very persistent. The two are compared with each other, and it is perfect to reflect the characteristics of the sound of the String Slip Performance.

Kim Bo Yang performs “Crouch Tirako Dragon” in the 2022 Beijing Winter Olympics

冰面上流动的艺术——花样滑冰服装中的经典设计

Peng Cheng, Jin Yang’s performance of “Night Banquet” at the 2022 Beijing Winter Olympics

In the costume design, the cultural content of the nation, history is integrated, so that the competition has the function of cultural transmission, telling the Chinese story, and has become the core idea of ​​the Chinese delegation. The Chinese delegation’s Causan is basically constructed by the Beijing Clothing Institute. Most of the style is the feeling of fairy, with light color as the main tone, color is often gradient, supplemented by water drill, tulle and other elements. Very beautiful in traditional oriental culture. The tricks skating men’s single slide athletes Jinbo Yang “Crouch Tihu” Cantun, adopts Chinese calligraphic ink elements, interprets the rhythm of Chinese culture and unique Oriental aesthetics; double sliding shifts Blue Cheng, Jin Yang’s Cantun, With low saturation of the water, black gray is used through the main line of the two athletes, using the red color of the saturation to the male main color, consistent with the girl’s belt color, turning into the men and women players, shaping two athletes elegant The image of the classical, the story of melodious, ups and downs, is the specific conversion of China’s broad profit, long gorgeous culture; Double Skinth Athletes Wang Shi Wei, Liu Xinyu’s Cantone Design is from the Song Dynasty painting “Miles Mountain Mountain”, male athlete With the “mountain”, the female athlete is in “water”, and the clothing in order to create a natural, E-spirited artistic conception, choose a thin high-elastic mesh, and the drill and thin Qiao yarns are main fabrics, mix and roll, different accessories, such as rhinestones, sequins, etc. Multi-level decoration not only reflects the light dance and body of the athlete, but also puts out the man’s perseverance and feminine, and dances for us on the white ice.

冰面上流动的艺术——花样滑冰服装中的经典设计

Wang Shizhen, Liu Xinyu takes the Coiss Teng Design of the Mountain Mountain Map at the Beijing Winter Olympics in 2022

冰面上流动的艺术——花样滑冰服装中的经典设计

With the continuous advancement of technology and the aesthetics, the pattern skating competition is more diversified, international, and artistic. During the Beijing Winter Olympics, the figure skating athletes left too many fascinating ice and snow style, and the spirit of changing the spirit, challenge the spirit of self, and we showed their own exciting Casteng costumes, which is the science and technology behind them. , Cultural and artistic integrated strength is high in cultural multi-diversity, openness, and inclusive in the Olympics.